Showing posts with label iron man. Show all posts
Showing posts with label iron man. Show all posts

Thursday, January 22, 2009

Sound Oscar Nominations

16366962_5be9ee21ff_b

Today the 81st Academy Awards (Oscars) nominations were announced.
The sound categories are as follow:

Achievement in sound editing
  • The Dark Knight” (Warner Bros.), Richard King
  • Iron Man” (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes
  • Slumdog Millionaire” (Fox Searchlight), Tom Sayers
  • WALL-E” (Walt Disney), Ben Burtt and Matthew Wood
  • Wanted” (Universal),Wylie Stateman
Achievement in sound mixing
  • The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
  • The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick
  • Slumdog Millionaire” (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty
  • WALL-E” (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt
  • Wanted” (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt

The nominated films which had it’s sound post production services provided by Skywalker Sound are:

curious_case_of_benjamin_button_xlg wall_e iron_man_ver4

Which means big congratulations are in order for Frank Eulner (Supervising sound editor on Iron Man), Christopher Boyes (Sound designer on Iron Man), Ben Burtt (Sound designer, re-recording mixer and supervising sound editor on Wall-E), Matthew Wood (Supervising sound editor on Wall-E), David Parker (Re-recording mixer on The Curious Case of Benjamin Button), Michael Semanick (Re-recording mixer on both Wall-E and Benjamin Button), Ren Klyce (Re-recording mixer and supervising sound editor on Benjamin Button), Mark Weingarten (Sound mixer on Benjamin Button) and Tom Myers (Re-recording mixer on Wall-E).

Also, while the film itself wasn’t post-produced at Skywalker Sound, The Dark Knight does have great mixing by two usual suspects from the Technical Building. So, congratulations as well to Lora Hirschberg (Re-recording mixer on The Dark Knight) and Gary Rizzo (Re-recording mixer on The Dark Knight).

I personally love this about the Oscars, that this sound awards are part of the main show. And if you are sound film lover as me, you get to see your sound heroes live and kicking (if they win, that is).
Let’s cross our fingers for the talented folks of (and from) Skywalker Sound which always manage to deliver great work on their films.

The Oscars will be on this February 22nd.

Thursday, May 22, 2008

Chris Boyes on Iron Man

ironmanarmor

Ok, so I had no feedback but I think that's mainly due to the fact that I haven't promoted the blog in the slightest.

Let's just jump to the content of the blog right away.
Recently the Iron Man film was released, in a very successful fashion. I haven't seen it yet, but I'm looking forward to.
Not only because of all the nice things I've been hearing about it, but also because the nice people at Skywalker Sound handled the sound post-production of the movie.
Chris Boyes (of King Kong, The Lord of The Rings) was in charge of the sound design and mixing of Iron Man.
Mix Magazine sat with him and recorded a nice interview about his job on this film.
Unfortunately he was in a protools room, instead of a lovely mixing room in front a huge console. But I think that is due to the fact that since Episode 3, Skywalker Sound changed it's way of working to have a more Protools-driven and basic set-up all the way to the end (they mainly use the big consoles at the final mix stage).
I've heard they even have an Icon, although I haven't seen any picture of it at Skysound yet.

Anyway, despite this tiny detail of wanting to see their great equipment, it is a very nice interview. Chris Boyes is a very good sound designer, so check it out.