Sound of The Social Network

David Fincher’s new film, The Social Network, tells the story of Mark Zuckerberg and the origin of Facebook. It’s not often that we get sound news and profiles about dialog heavy films that make virtually no use of visual effects. This kind of films are usually very interesting sound-wise and also hard to do, as the soundscape has to be believable and unobtrusive.
Responsible for mixing this film were Ren Klyce, David Parker and Michael Semanick. In charge of sound design and supervising sound editing duties was Ren Klyce, who also did sound design for most of Fincher's films (including Seven, Fight Club, Zodiac and The Curious Case of Benjamin Button).

Also worth checking out is the soundtrack by Trent Reznor and Atticus Ross. Certainly not your everyday music for film, and rather something that fans of Nine Inch Nails will particularly enjoy.

The Sound of Inception

While Inception isn’t graced with the sound services of Skywalker Sound, the staff includes a handful of amazing Skywalker regulars. This includes Lora Hirschberg and Gary Rizzo.

Inception is the latest film by Christopher Nolan (director of Memento and The Dark Knight, among other great films), which deals with the world of dreams.



And here is also Mix’s article, which gives you a more detailed tour of the sound for Inception.

How Your Dragon Sounds

 
This week we bring you some insight into the sounds created for the animated feature ‘How To Train Your Dragon’.

I really liked this movie and also enjoyed the fact that the dragon sounds were very distinct and different than the classic dinosaur-like sounds usually used on creatures like this.

Here is sound designer Randy Thom talking about the film:

For further detail I highly recommend this insightful interview with Thom, Jonathan Null and Al Nelson, conducted by Designing Sound.

On a more colorful note, “Paco” a famous Chihuahua on YouTube was recorded by the folks at Skywalker Sound and used on this movie.

You can read more about it here.

Indy is Back!

Since there isn’t many news lately (and I was getting bored of only posting news anyway) I decided to take a look at some previous films.
Today it is Indiana Jones and The Kingdom of The Crystal Skull, the latest installment on the Indy series.

Ben Burtt, who did sound design for all the previous movies, tells about the process he followed to revisit that world of Indiana Jones once again.

Enjoy it!

Randy Thom’s Latest Adventures

Hello there. Again, sorry for the lack of updates. Let’s jump right into it.

Here is the featurette on Randy Thom’s sound design work for Ice Age 3:

Also, earlier this August, Randy was a keynote speaker at this year’s SIGGRAPH.

His speech entitled “Designing a Movie for Sound” dealed mostly about taking into account sound as part of a production of a film and not only as part of the postproduction. You can read more about it here.

Sound That Takes You UP

Hi there!
If you love Skywalker Sound then you possibly also love Pixar, or if you love Pixar then you should know that they are smart people sound-wise.
Today is the opening day for UP, Pixar’s tenth movie. I certainly and absolutely love Pixar and most of their movies, the last two (Ratatouille and Wall-E) had set the bar really high (in terms of making a blast at the box office and having an incredibly wide acceptance among critics) and UP seems to be no exception to that line of awesomeness.

The first thing of the day is the UP soundtrack, which was composed by the great Michael Giacchino.

The music wasn’t recorded at Skywalker Sound, but the curious thing is that this (digital only) album comes with three tracks of nothing but sound design (no music and no voices), which is a great opportunity to take close listen to some of the wonders Skywalker guys did. The downside to it is that you can’t buy these tracks separately, you have to buy the whole album to get them.

Last but not least, I bring you this terrific sound featurette on UP, in which you get to see Michael Semanick and Tom Myers (Tom is one of my favorite sound designers) among others…

So what are you waiting for? go see UP!

Sound Oscar Nominations

Today the 81st Academy Awards (Oscars) nominations were announced.
The sound categories are as follow:

Achievement in sound editing

• “The Dark Knight” (Warner Bros.), Richard King
• “Iron Man” (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes
• “Slumdog Millionaire” (Fox Searchlight), Tom Sayers
• “WALL-E” (Walt Disney), Ben Burtt and Matthew Wood
• “Wanted” (Universal),Wylie Stateman

Achievement in sound mixing

• “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
• “The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick
• “Slumdog Millionaire” (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty
• “WALL-E” (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt
• “Wanted” (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt

The nominated films which had it’s sound post production services provided by Skywalker Sound are:

Which means big congratulations are in order for Frank Eulner (Supervising sound editor on Iron Man), Christopher Boyes (Sound designer on Iron Man), Ben Burtt (Sound designer, re-recording mixer and supervising sound editor on Wall-E), Matthew Wood (Supervising sound editor on Wall-E), David Parker (Re-recording mixer on The Curious Case of Benjamin Button), Michael Semanick (Re-recording mixer on both Wall-E and Benjamin Button), Ren Klyce (Re-recording mixer and supervising sound editor on Benjamin Button), Mark Weingarten (Sound mixer on Benjamin Button) and Tom Myers (Re-recording mixer on Wall-E).

Also, while the film itself wasn’t post-produced at Skywalker Sound, The Dark Knight does have great mixing by two usual suspects from the Technical Building. So, congratulations as well to Lora Hirschberg (Re-recording mixer on The Dark Knight) and Gary Rizzo (Re-recording mixer on The Dark Knight).

I personally love this about the Oscars, that this sound awards are part of the main show. And if you are sound film lover as me, you get to see your sound heroes live and kicking (if they win, that is).
Let’s cross our fingers for the talented folks of (and from) Skywalker Sound which always manage to deliver great work on their films.

The Oscars will be on this February 22nd.

Randy Thom on “Sound Design”

Randy Thom is the Director of Sound Design at Skywalker Sound (a position that was previously held by Gary Rydstrom under the title, Director of Creative Operations). He is most famous for having won 2 Oscars and doing sound design and mixing for such films as Ratatouille, Contact, Forrest Gump, Indiana Jones and The Temple of Doom. This year will have his sound design work on the upcoming Coraline.

He is also very eloquent when it comes to talking about his craft, which makes it always a delight to read his words.

Following is an e-mail Randy recently sent to his colleagues, which I think is very interesting.

An Argument For Reinventing The Term "Sound Design"

Closing some tabs

Hi there,
So, I had some more news left I wanted to share. Once I'm done with that I hope to post something a bit more interesting (other than just news) and I'm also preparing a little something for this holidays.

Ok, let's get to the news and close some tabs.

We can never get enough of good ol' Ben right? Check out this fun little Q&A with the always wonderful Ben Burtt.

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 Matthew Wood (right) and David Acord (left) got interviewed by TheForce.net and the resulting podcast (or Force-Cast) is really funny. It's very insightful as well. Get it HERE.

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Well, that's all for now. A couple of things about this blog. I don't really have an agenda (besides posting news more or less as they appear), there are things I know I want to do, but beyond than that is a mystery. Dear reader, you are more than welcome to leave your requests in the comments. If you'd like me to post about a specific thing regarding Skywalker Sound, whether is a sound designer, or a film, or a technical thing, just let me know and I'll see what I can do.

The other thing. Blogger users, dear loyal readers, I invite you to "follow" this blog (so I can have extra motivation for posting). It's right down there on the white sidebar. Did you just clicked on it? Thanks! you are the best.

See you soon.

Sound Treats

Hi there again listeners,

More news and info regarding Skywalker Sound:
  The latest Spencer Brewer album "Cinematic" was recorded at the scoring stage, and one song in particular was written in it, called "The Walls that Move" inspired by the actual moving walls in the stage (which can provide natural reverb). It was released on July 15 this year.

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One of EA's latest games Dead Space, had it's score recorded at Skywalker Sound. The score features over three hours of music (composed by Jason Graves) recorded during two different recording sessions. In the first session Graves conducted sixty musicians of the acclaimed Northwest Sinfonia Orchestra at the Bastyr Chapel in Seattle, and a year later Graves conducted sixty players of the Skywalker Symphony Orchestra and twenty voice choir at the world famous Skywalker Sound Scoring Stage. During both sessions, co-produced by Jason Graves and Rod Abernethy, the orchestra was recorded individually by section (woodwinds, brass, percussion and strings) with multiple dynamic levels and variations to be implemented as adaptive layers of music in the game. EA’s audio team designed the music system to be multi-layered so the music could be mixed at run-time based on gameplay and situation.
Read the whole press release HERE. Dead Space was released on October 14.

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Nice interview with Dustin Cawood, an assistent sound designer and sound effects supervisor at Skywalker Sound. Read HERE.

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  The new Star Wars: The Clone Wars tv series has recently begun screening on Cartoon Network. Here is a nice behind the scenes video from MovieBeat:

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And that's all for this week folks. See you soon.

Catching Up

Hi there, it's been a while. I've been a bit busy with work and many own projects, but I'll try to post more often. 

So, a bit of news and stuff I've been gathering lately:

Last August an album recorded at Skywalker Sound' Scoring Stage was released. Thinking About Bix by Dick Hyman.
A HDCD recorded by Keith O. "Prof" Johnson using custom-made mikes and equipment. I've listened to some of it at Amazon, and it sounds delightful. Musical-wise it's the kind of jazz I sometimes need.

Matthew Wood and David Acord, the gentlemen responsible for the mix of Star Wars: Clone Wars, were recently interviewed at CW31. Pretty great to see sound designers and re-recording mixers on tv!

Now to Ben Burtt being interviewed by The Christian Science Monitor about sound design as an art form.

Sennheiser/Neumann's Mike Pappas gave a recording seminar recently at the Scoring Stage. You can read all about it HERE.

The debut album of Court Mast, called Sausalito Summer, was also recorded at Skywalker Sound, and released on July 29. You can read about it HERE and preview it/download it HERE.

TimesOnline visited what they call "Star Wars HQ", which is actually Industrial, Light & Magic and Skywalker Sound. About our beloved place they say:
"Over the hills and far away... well, about a 45 minute drive across the Golden Gate Bridge, way up into Marin County, Lucas' reknowned Skywalker Sound is housed in the grounds of Skywalker Ranch. It's a beautiful spot. Made all the nicer by enjoying a glass of the locally produced organic wine. Okay, maybe two glasses. Fine, I'll have the bottle. The plantation-style building overlooks Ewok Lake (no, really) and there are AT-ATs patrolling the area. Ok, maybe no AT-AT's but there are other, more subtle security measures. Where are all the cameras? Well maybe they're hidden in some of the fake boulders placed at strategic points around the grounds. But those rocks look real! Yes, well the guy does have the best special effects team in the world at his disposal."

HDFilmtools had a very HD interview with Matthew Wood. Mostly about the job of a Supervising Sound Editor. You can also see the ProTools ICON console. Very neat. Watch it/download it HERE.

The last thing for today (there is more, but I'll post it later) is another album recorded at Skysound, which will be released tomorrow.

Speak Low by Boz Scaggs. More good jazz, awesomely recorded (I assume, since I haven't heard it yet). "The sense of intimacy you get there is quite remarkable," Scaggs says. "You think you can get closer to the music in a smaller room, but that's not always true. At Skywalker, the vastness brought us all together.... The quiets in that room are much quieter, and all of the dynamics are really vivid. It's a great room to sing in."
You can purchase it HERE.

That's all for today folks, I'll be coming back soon (I hope) with more things Skywalker Sound

All Things Ben Burtt on Wall-E

The recently released Pixar's Wall-E has caused a unique phenomenon. I don't know of other occasion in which a sound designer was interviewed as much as Ben Burtt was regarding Wall-E.

Here are all the interviews I collected:
* CanMag
* Movies Online
* SFGate
* Los Angeles Times
* Syracuse.com

And now the multimedia interviews. First a podcast from Studio 360 which is one of the best interviews with Ben:

A Space Journey In Sound:

And a /Film 4-minute Wall-E making of Featurette which has a segment on sound.

I saw Wall-E today and the sound design is the best by far of any movie I have seen this year. Also the story is quite awesome, heartfelt and smart.

On the sound design aspect, I love how Ben Burtt used a wacom tablet to change pitch on sounds in a very creative way.

Chris Boyes on Iron Man

Ok, so I had no feedback but I think that's mainly due to the fact that I haven't promoted the blog in the slightest.

Let's just jump to the content of the blog right away.
Recently the Iron Man film was released, in a very successful fashion. I haven't seen it yet, but I'm looking forward to.
Not only because of all the nice things I've been hearing about it, but also because the nice people at Skywalker Sound handled the sound post-production of the movie.
Chris Boyes (of King Kong, The Lord of The Rings) was in charge of the sound design and mixing of Iron Man.
Mix Magazine sat with him and recorded a nice interview about his job on this film.
Unfortunately he was in a protools room, instead of a lovely mixing room in front a huge console. But I think that is due to the fact that since Episode 3, Skywalker Sound changed it's way of working to have a more Protools-driven and basic set-up all the way to the end (they mainly use the big consoles at the final mix stage).
I've heard they even have an Icon, although I haven't seen any picture of it at Skysound yet.

Anyway, despite this tiny detail of wanting to see their great equipment, it is a very nice interview. Chris Boyes is a very good sound designer, so check it out.