More Ben Burtt and awards

  There is a wonderful series of videos of a talk Ben Burtt did at Pixar. Collider was there and managed to get video footage of that amazing event. You DON'T wanna miss it. He seems like a rockstar in there, and he really rocked the house with a cool show, sharing a little bit of what he did for Wall-E and other films.
I'd love to be his friend, not only does he knows tons about sound design and sound for movies in general, but he also seems to be a very nice and funny man.
Go watch it NOW. (I don't really like the videoplayer they used, when I played sometimes it simply stopped).

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You can have a bit more of Ben over here:


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On November 6, the winners of the Hollywood Post Alliance awards were announced. This are awards given in categories all related to post-production. The one that interest us is the category for Outstanding Audio Post in Feature Film, as the award went to Ben Burtt (from Pixar. He seems to be a Pixar employee now, therefor not really working for Skywalker Sound for the time being. But since both companies always work toghether, I bet he'll never be far away from Skysound) and to Tom Myers, Michael Semanick and Matthew Wood (from Skywalker Sound).
The Skywalker Sound Blog (that's us) wishes to congratulate them for this achievement. Well done gentlemen!
You can check the rest of the categories over here.

That's all for now,
May the sound be with you.

Sound Treats

Hi there again listeners,

More news and info regarding Skywalker Sound:
  The latest Spencer Brewer album "Cinematic" was recorded at the scoring stage, and one song in particular was written in it, called "The Walls that Move" inspired by the actual moving walls in the stage (which can provide natural reverb). It was released on July 15 this year.

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One of EA's latest games Dead Space, had it's score recorded at Skywalker Sound. The score features over three hours of music (composed by Jason Graves) recorded during two different recording sessions. In the first session Graves conducted sixty musicians of the acclaimed Northwest Sinfonia Orchestra at the Bastyr Chapel in Seattle, and a year later Graves conducted sixty players of the Skywalker Symphony Orchestra and twenty voice choir at the world famous Skywalker Sound Scoring Stage. During both sessions, co-produced by Jason Graves and Rod Abernethy, the orchestra was recorded individually by section (woodwinds, brass, percussion and strings) with multiple dynamic levels and variations to be implemented as adaptive layers of music in the game. EA’s audio team designed the music system to be multi-layered so the music could be mixed at run-time based on gameplay and situation.
Read the whole press release HERE. Dead Space was released on October 14.

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Nice interview with Dustin Cawood, an assistent sound designer and sound effects supervisor at Skywalker Sound. Read HERE.

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  The new Star Wars: The Clone Wars tv series has recently begun screening on Cartoon Network. Here is a nice behind the scenes video from MovieBeat:

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And that's all for this week folks. See you soon.

Catching Up

Hi there, it's been a while. I've been a bit busy with work and many own projects, but I'll try to post more often. 

So, a bit of news and stuff I've been gathering lately:

Last August an album recorded at Skywalker Sound' Scoring Stage was released. Thinking About Bix by Dick Hyman.
A HDCD recorded by Keith O. "Prof" Johnson using custom-made mikes and equipment. I've listened to some of it at Amazon, and it sounds delightful. Musical-wise it's the kind of jazz I sometimes need.

Matthew Wood and David Acord, the gentlemen responsible for the mix of Star Wars: Clone Wars, were recently interviewed at CW31. Pretty great to see sound designers and re-recording mixers on tv!

Now to Ben Burtt being interviewed by The Christian Science Monitor about sound design as an art form.

Sennheiser/Neumann's Mike Pappas gave a recording seminar recently at the Scoring Stage. You can read all about it HERE.

The debut album of Court Mast, called Sausalito Summer, was also recorded at Skywalker Sound, and released on July 29. You can read about it HERE and preview it/download it HERE.

TimesOnline visited what they call "Star Wars HQ", which is actually Industrial, Light & Magic and Skywalker Sound. About our beloved place they say:
"Over the hills and far away... well, about a 45 minute drive across the Golden Gate Bridge, way up into Marin County, Lucas' reknowned Skywalker Sound is housed in the grounds of Skywalker Ranch. It's a beautiful spot. Made all the nicer by enjoying a glass of the locally produced organic wine. Okay, maybe two glasses. Fine, I'll have the bottle. The plantation-style building overlooks Ewok Lake (no, really) and there are AT-ATs patrolling the area. Ok, maybe no AT-AT's but there are other, more subtle security measures. Where are all the cameras? Well maybe they're hidden in some of the fake boulders placed at strategic points around the grounds. But those rocks look real! Yes, well the guy does have the best special effects team in the world at his disposal."

HDFilmtools had a very HD interview with Matthew Wood. Mostly about the job of a Supervising Sound Editor. You can also see the ProTools ICON console. Very neat. Watch it/download it HERE.

The last thing for today (there is more, but I'll post it later) is another album recorded at Skysound, which will be released tomorrow.

Speak Low by Boz Scaggs. More good jazz, awesomely recorded (I assume, since I haven't heard it yet). "The sense of intimacy you get there is quite remarkable," Scaggs says. "You think you can get closer to the music in a smaller room, but that's not always true. At Skywalker, the vastness brought us all together.... The quiets in that room are much quieter, and all of the dynamics are really vivid. It's a great room to sing in."
You can purchase it HERE.

That's all for today folks, I'll be coming back soon (I hope) with more things Skywalker Sound

Scoring Stage On The Cover

This month's cover of Mix Magazine has Skywalker Sound' Scoring Stage all over it (those beautiful diffusers aren't hard to recognize).
I would like to start by pointing out that the Skywalker Sound HQ is actually called Technical Building and not "Technology Building" as it is in the article). Other than that minor detail, it is an interesting read. Of course it features the amazing Leslie Ann Jones, head of the Scoring Stage and overall genius.
This article informed me about a couple of things I didn't knew:

* They switched digital recording from Euphonix R1 to ProTools HD
* They are recording a considerable number of videogame scores.
* They are having a BIT of a hard time filling the studio (at least compared to .... say... Abbey Road)

"Over lunch on the back porch of the ranch's white-clapboard Victorian mansion-style Main House, the studio's director of scoring and music recording (not to mention record producer and Grammy-winning engineer), Leslie Ann Jones, notes that it is exactly that sort of diversification that has kept her studio busy: film and game scores, major- and indie-label work, classical and rock music, local and national talent."

Read it all HERE!